Mangione: The Making and the Meaning by John H Richardson – Sympathy for a Devil?

On December 5, 2024, a leading publication ran the front-page story “Insurance CEO Shot Dead In Manhattan”. The article went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a assailant who then calmly departed the scene”. The daytime killing was indeed both chilling and disturbing. But numerous US citizens had a different response: for those who had been denied health insurance or faced exorbitant healthcare costs, the news felt cathartic. Social media blew up. One post read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company designed to increase earnings on your health.”

Five days later, Luigi Mangione, a handsome, 26-year-old University of Pennsylvania graduate with a graduate degree in computing, was apprehended at a fast-food restaurant in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with prosecutors seeking the death penalty. So who is Mangione? And what might have motivated the accused offense? These are the questions John H Richardson seeks to resolve in an inquiry that delves into wider topics, too.

The Making of a Subject

A writer for a major publication, Richardson spent years researching the groups that exist in the hidden parts of the internet, writing stories about people “cursed with realistic fears about an apocalyptic future”. To uncover “the making” of his subject, Richardson first reviews Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on Goodreads”. Their content covered climate change to masculinity, along with a “focus on his own self-improvement, both body and mind”. Additionally, Richardson sifts through his communications with online personalities and authors as well as his many posts on digital networks. These original materials, intended to depict a picture of Mangione, instead render him an unclear character. Richardson attempts to explain this by suggesting that “Luigi’s mystery, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson attempts to cast his subject in archetypal terms.

Mangione is deeply anxious about the world around him, one where ‘change is rapid whether we like it or not’

The Meaning Behind the Crime

As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “deny” and “depose”, engraved on the ammunition left behind at the crime scene. These are the terms sometimes used by medical insurers to deny coverage. He looks at the indication Mangione had a long-term spinal issue, which might have provided motive for an attack, but discovers no confirmation; instead, what meaning there is seems to lie in Mangione’s existential anxiety about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to eventually either take control, or eliminate humanity, or both.

Gaps in the Narrative

Conspicuous by their absence from the book are conversations with the principal actors. Richardson asked, of course, but never expected access to Mangione himself. And his family made it clear that they had chosen not to talk to the press in advance of the trial. Another glaring gap is any detailed data about the deceased, Thompson, though we learn that under his guidance, from the early 2020s, UHC profits increased by 33%.

Ambiguous Findings

By the conclusion, the reader has little insight of Mangione’s personality or what could have driven his accused actions. Worse still, Richardson’s obvious sympathy for him gives the reader the disturbing feeling of having been exposed to a veiled endorsement of an assassination. In the book’s final lines, Richardson delivers his fairytale assessment: “We’ve entered a time of fables, the insane ruler, the monster in the maze and the emperor without clothes.” In that tale “outlaw heroes come with a beautiful promise … They arrive in periods of unrest, when the population is in pain and nothing makes sense anymore.”

One thing is certain: as Mangione’s defence team continues in its attempts have accusations that could lead to the death penalty dismissed, any mention of myths, Robin Hoods, champions or monsters will not be allowed in court in defence of this attractive individual with a “features reminiscent of classical art” soon to be on trial for murder.

Deborah Diaz
Deborah Diaz

A passionate writer and cultural enthusiast, Elara shares insights on modern living and creative expression.